Shabd (The years biggest love story)

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SanjuBaba

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This post is for Shabd. You guys can share ur opinions on this moive and post any info u find about this movie here. I think movie will be a blockbuster. What do u guys think???

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Posted 30 Nov 2004

SanjuBaba says






Posted 27 Dec 2004

SanjuBaba says
Shabd Music Review

Producer: Pritish Nandy, Rangita Pritish-Nandy
Director: Leena Yadav
Starring: Sanjay Dutt, Aishwarya Rai, Zayed Khan
Music: Vishal-Shekhar
Lyrics: Irshad Kamil, Vishal Dadlani
Singers: Sunidhi Chauhan, Vishal Dadlani, Kumar Sanu, Sonu Nigam, Shreya Ghoshal, Udit Narayan and Sukhwinder Singh
Audio On: T-Series
Number of Songs: 9
Released on: December, 2004

I can only think of one "shabd" when I think of the typical Bollywood scenario: disappointment. It is a regular in the Bollywood industry. Countless times there are hyped films which are anticipated and the turn about is a much undelightful disaster. In 2004, the situation was marginally worse, because for several, music composers got it right with tunes that were delicious to listen to but for some time, painful to watch. Disappointment is certainly not the word to describe the music for newcomer director Leena Yadav´s "Shabd".

Vishal-Shekhar return to the composing seat in the thriller "Shabd". And like their other compositions, the tunes here are far above par with almost with everything you can ask for. The ever so talented composers have gained a firm hold of the industry after Musafir, and with Shabd show that not only can they compose thematically, but for both situations, they can compose what works. This soundtrack also shows that at the very least, Pritish Nandy Communications carry music that is decent on the ears.


You´d be forgiven if you mistakenly took Vishal Dadlani (one half of the composer duo here) for Adnan Sami in the soundtrack opener "Sholon Si". Though one can argue that Sami would have made the song even better than it already is, Dadlani is more than suitable for the mood that the song brings out. Upbeat, laced with your catchy Latin beats and chorus intervals (vamos a la playa), the song catches the listener right away even though it starts off with the theme orchestration and leaves the impression that the song will be a regular romantic track. Sunidhi Chauhan is perfectly toned, something that Vishal-Shekhar have been known to do superb as well, and the song is hit from the word go. Lyricist Irshad Kamil, who featured in PNC´s last film, Chameli, is also pleasantly in your non-typical form here without straying too far from normal or getting too verbose for that matter.

The following songs reveal a bit about the film, containing vocal intervals by Sanjay Dutt (credited as free verses). What makes the songs work is how well the interludes complement not only the mood but the orchestration. Sonu Nigam is perfect and the best he has been in recent soundtracks. "Khoya Khoya Tha", like the openers, starts off slower with Sonu Nigam (who sings for Zayed Khan´s character), conveying Sanjay Dutt´s character´s writings, and Sunidhi Chauhan joining in. The punch is packed when the title of the track kicks in and the jazz like feel of the song settles in. Certainly one to please those that are into romantic songs, particularly when Sonu and Sunidhi sing together. The song blends the verses and the music perfectly.

The playful "Bolo Na" has the superlative Shreya Ghoshal whispering "nahin nahin" in the background throughout the track. Again Sanjay Dutt almost narrates the song (which is a stand out in the latter portion of the track when Dutt´s portion cue´s Ghoshal´s lines). Sonu is commanding in his rendition and Vishal-Shekhar´s dramatic composition stands out the most. Again, a feat it is to create a song like this, make it sound as playfully interesting (with catchy jhankaar beats and all) and worthy of more than one listen. In both "Khoya Khoya" and "Bola Na", lyricist Irshad Kamil is a refreshing change from the Bollywood regulars we get soundtrack after soundtrack. Additionally, Kamil and Dadlani team up for some of the free verses.

"Chahaton Ka Silsila" is a bit more regular Bollywood song, though that not detracting on the quality of it at all, that too not withholding the fact that Kumar Sanu sounds great after being heard from so little. Ironically, the song establishes a pattern almost of starting off a bit different from the way the entire song actually is, as Sunidhi opens up the track with a slow verse completely throwing off the listener from what is to follow. The orchestration here, with this being the theme/title song of the soundtrack is complimented nicely with the flute and a good set of lyrics to follow. Sunidhi and Sanu pair up well and delivery the sweet (no other word for it) tune perfectly. A second rendition, by Udit Narayan sounds a bit more familiar to the ear. Udit is effective, after all, but his rendition brings out the familiarity in the song a bit more reminding us more of "Jaana" from Chameli and several others. The former version is better for the simple fact that Kumar Sanu is heard rarely now, and even less sounding as good as he does there.

A remix (complete with rap interludes and all) of "Sholon Si" is also included on the soundtrack.

With the film being a romantic thriller it´s almost mandatory that it must have a dramatic composition. Enter Sukhwinder Singh´s "Mat Jaa", a semi-rock loud number which is dramatic, enthralling and completely situational. It too follows with a remix later on.

The "Theme of Shabd" closes off the soundtrack, encompassing bits and pieces of the melody and orchestrations and adding your typical dramatic interludes with them.

Finding that perfect medium in Bollywood has often become a problem. Balancing a completely thematic soundtrack for a commercial film and attempting to make it work often produces results that are far on extremes and ultimately unpleasant. Shabd´s music is more worth a listener´s time than recent releases, like Bewafaa, Elaan (and the list goes on?) as there is a little more balance and effort in making it work, and the attempt is noteworthy. Thankfully, this time around, it´s not all about the lyrics but how well both can come together. Even the two songs that feature verses are enjoyable. Shabd is a welcome soundtrack from Pritish Nandy Communications and Vishal-Shekhar, all familiarity aside, it will probably entertain you more than recent releases from the big names and all.

Reviewed by: Rakesh Budhu
Reviewer's Rating: 8 out of 10
Posted 05 Jan 2005

SanjuBaba says
Aishwarya's lip-lock sequence!

International beauty Aishwarya Rai's sultry look in ‘Shabd’ is already the talk of town, but here’s something even more spicy. The actress, who has a squeaky clean image, seems to be in the mood for a makeover that is more in tune with her foray into Hollywood. Those who have seen parts of ‘Shabd’ are taken aback by the sensuality she oozes on screen -- she is said to sizzle steamily with both her heroes, Sanjay Dutt and Zayed Khan. What’s even more interesting is that the lady in question is now open to more daring scenes in films; that’s obvious, considering the fact that she’s done a very hot and lingering kissing scene with Sanjay in the movie.

Though insiders are not forthcoming with details, it seems that Ash is now ready to cross her self-imposed limits and is open to doing lip-lock sequences if the scene demands them. Meanwhile, Sanjay Dutt is the winner – after all, he is the immediate and first beneficiary! Uh, huh!
Posted 09 Jan 2005

SanjuBaba says
so wat do u guys think of this movie. I am sure that this movie be a superhit. waht abt u ?
Posted 09 Jan 2005

Afcourse








Posted 14 Jan 2005

aish sucks.. film will be big O FLOP
Posted 15 Jan 2005

SanjuBaba says
don care abt ash but this film will be superhit cuz of Sanju
Posted 15 Jan 2005

SanjuBaba says
Aishwarya is not amused!
While the producers and the PR people of ‘Shabd’ are rubbing their hands in glee at the ‘much anticipated’ screen-kiss(es) between the lead actress Aishwarya and the heroes Sanju and Zayed, sources close to the beauty say that ‘the lady is not amused’. Apparently the world’s most beautiful woman is miffed that brouhaha is brewing over the sequences. “Why should there be any noise at all? There is nothing like it’s being made to sound,” says the source.

"And the item stating that ‘Sanju was the first beneficiary of the ‘kiss’’ was not exactly in good taste. In fact, there is no such sequence that is tasteless. Ash is a lady of international standing and would never do anything unbecoming or tasteless. In fact, it’s her presence that’s lending the film even more status than it already has,” adds the miffed friend. As for Ash herself, when she chooses to shed more light on the subject, we will let you know what exactly her shabds will be...

Posted 16 Jan 2005

taran adarsh will give..> **
Posted 16 Jan 2005

SanjuBaba says
Man Taran is stupid he gives rating on the movies reputation. If movie is very hyped then he will give it>****.ex(Veer Zaara) but if the movie is not hyped then he give less rating>**.ex (Koi Mil gaya)
Posted 16 Jan 2005

if he give ** means...movie is superhit
Posted 16 Jan 2005

SanjuBaba says
Posted 16 Jan 2005

like he did by devdas ** ---> movie of the year
Koi mil gaya--> **---> movie of the year
Lagaan ** ---> movie of the year
Posted 16 Jan 2005

SanjuBaba says
true
Posted 16 Jan 2005

shahrukh khan said:

like he did by devdas ** ---> movie of the year
Koi mil gaya--> **---> movie of the year
Lagaan ** ---> movie of the year



true.
yo, actually all those are unique and different movies that he gave bad ratings for.
Devdas was a unique film, different then the regular indian love stories
Lagaan was just awesome and different also
Koi Mil Gaya was definatly different and unqiue to.

Also, Swades was a different movie wit a diff story n he gave bad ratings for that 2!

wht a looser
Posted 17 Jan 2005

SanjuBaba says
well Taran definately is a looser i mean a lot of movies that he gave ** have proven him wrong.
Posted 17 Jan 2005

SanjuBaba says
“Its people who are obsessed about Ash's looks, not her”



She is Leena from tellyland. This Sophiya alumni has an enviable bag of work that can make many go green. From dishing out popular television software to making her directorial debut, Leena Yadav has engined a spunky journey.

The director makes her big screen splash with Shabd. And she's got no less than Aishwarya Rai and Sanjay Dutt light up celluloid flames for her. Leena Yadav in a chat with IndiaFM spills us all about Shabd, nails misquotes about Ash and tells us whether Bollywood gives women directors the brush…

No jazz, no hoopla, its an assured filmmaker speak…

The title 'Shabd' has a new sound to it besides being a curious name, how did you chance upon it?
The name is courtesy Mr. Pritish Nandy. We were looking for a name that is catchy along with being extremely relevant. Since the film is about a writer's journey, 'Shabd' suits the plot to the T.

2004 saw a good deal of females calling the shots … Farah, Pooja Bhatt, Revathy, Gurinder Chadda. How is it to wield the megaphone?
Its not like I have always wanted to be a director. I just took things as they came. Being a director was a gradual process for me. Also, my psyche is that of being a filmmaker first, the thought of being the so called, 'woman director' never rubs me.

The casting is among the highlights of the film. How did you decide on it?
Here again it is Mr.Nandy who had a major role to play. He suggested the names. When I wrote the film, I wrote it with characters in mind and not faces. So he threw names and I picked up people whom I thought fitted the bill best. Also, a starcast as this reaches out to a huge number of people. So the casting benefits every which way.

You are presenting Ash in a stunning new avatar, how was she to work with?
Ash is incredibly professional. Once she is convinced about the role, you can expect 100% involvement from her. Besides, her understanding of a script is amazing. As an actress, she is a delightful performer!




Shabd showcases a sensuous Ash, what would you say is her brand of sensuality?
It's the 'Ash brand of sensuality!' Dignified, tasteful. Don't come looking for anything voyeuristic or titillating.

Ash has carefully escaped intimate scenes this long, what is it that readied her for a liplock this time around?
I think she was absolutely convinced of the script. It was not like we simply forced the scenes at the tail end of the shoot. I took her through a detailed script reading which left no room for any last minute add ons. Besides, Ash could always refuse if she wasn't convinced of the sequence.

I might not be able to vouch whether I have made a great film or not. But I can guarantee you that the scenes have been shot with extreme aesthetic sense.

What was the tuning that Ash and you share?
There was a comfort net for sure. Working with Ash has been extremely rewarding.

That brings me to Sanjay, macho guy turns mellow. What is his character like?
I was looking for a person whose face reflected a lot of experience. In Sanjay I found the character.

The promos have Sanju Dutt spouting some poetic lines. The last time he adopted a shayrana andaz was in Saajan…
Yes. And he has pulled it off with great aplomb.



Zayed Khan pitches in with an interesting role too…
Zayed is exactly the way I had conceived his character to be. So not too much of remodeling was required.

Vishal-Shekhar have scored the music. How do you like it?
I think they have done a brilliant job of scoring Shabd. But the best thing is that they come minus any creative shadow. Their music pieces aren't derived; it's fresh. Every song of Shabd has a character of its own.

Tells us about Rangita as a producer…
She was tremendous help. Rangita was always there to weed out any hiccups during the shoot, without being nosey. For instance, there was this shoot in Goa where we had begun to use rain as an element of the song picturization. Least it stopped raining, Rangita quickly arranged for artificial showers to ensure that the shooting didn't halt. She's been wonderful.

Any particular director that you look up to…
Not essentially directors but I like some films though. Sholay, Satte Pe Satte, Satya, DDLJ.are some of my favorites.

Squash three misconceptions about Ash for us.
She is not an ice maiden, as people would like to believe. Infact Ash is among the warmest people to meet. Neither is she inaccessible. And most importantly, it's people who are obsessed about her looks, not her.

There is a lot of loose talk about Ash and Zayed having a scene, what was their equation like?
Nothing of the kind happened. We were in Goa shooting and everyone worked like one big family.

Do you think Bollywood is fair to female directors?
Absolutely! Until you throw vibes like, 'Oh I am special. I am a woman. I need someone to pull me a chair everytime I wish to sit down', Bollywood isn't an ugly place to be. If you are good at your job, there is no gender bias. You respect Bollywood, and it reciprocates the same.

One film that you liked from the PNC house?
Jhankaar Beats. I quite liked Chameli too.
Posted 20 Jan 2005

SanjuBaba says
Shabd 6

Shabd 7


Shabd 8

Shabd 9

Believe me or not this is one awesome movie this movie become super hit. After watching these trailors i guess everybody understand wat i mean
Posted 21 Jan 2005

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